Rockstar new song promo hd- Tum Ho

Rockstar Music Review

Everytime a A.R Rehman album strikes the music circuits there is a tremendous amount of curiosity and enthusiasm among his patrons who consider him no less than god (god of music) , his naysayers not many though ready to inflect his current work with previous endeavors and finally his counterparts who know,their must be something new to learn each time the Mozart comes out with his latest venture.So is Imtiaz Ali's musical magnum opus Rockstar the album that will bring back true magic of Rehman that seems to be missing from last two albums Raavan (had glimpses of his brilliance) and Jhoota hi sahi(good but not upto his demeanor)?. The answer is a resounding yes! How? Lets go through this mesmerizing array of songs that will spell a cast on you once the album is over!

The album starts on a soothing note with Phir se udd chala which gives you the account of the kind of joy and freedom the protagonist would enjoy once he goes out to discover the world on the wheels of music!  The song that starts on a slow note gathers momentum in the mid with lyrics by Irshad Kamil being perfect amalgamation of philosophy and poetry. The vocals by Mohit Chauhan brings the right amount of serenity to the proceedings and the music is pure magic to say the least. Wow! what a begining I must say!

Next in line Jo Bhi Main  is  a perfect  number for any stage performance if you are an aspiring talent in the field of music. The lyrics ''Jo bhi main kehna chahoon barbaad kare alfaaz mere" is a poet's envy and is ably supported by a equally foot tapping music n energetic vocals of Mohit Chauhan  with the signature "Ye Ye Ye" which will keep you swooning even after the song is over. Truely a classic number which is rich in every sense and will keep the youngsters hooked in the days to come.

The third track is by now illustrious  Katiyaan Karoon thanks to its aggresive promotions on  the music channels . The song though may be Punjabi in flavor is a class apart from any run of the mill punjaabi numbers that one is used to listen and makes for a rather  enjoyable hearing experience due to its unique lyrics and catchy tone. The use of flutes in the middle makes it a treat for the ears with equally malicious vocals by Harshdeep Kaur who is slowly but surely making a niche for herself in bollywood.There is a point in the song  probably after the second para where any other music director would have gone for a routine stuff but Rehman shows his genius and takes this song on a different route by slowing  down the proceedings and gives the song a new depth and solidarity.

After the hugely successful Khwaja Mere Khwaja comes another spellbinding qawali Kun Faya Kun(taking its origin from Islamic culture) which will surely sent you in a trans once you serender your senses to the  magician of such soulful and artistic tracks that strikes a chord between you and god thus filling your heart with warmth and purity. The voices of A.R Rehmaan ,Jaaved Ali another regular of the maestro along with Mohit Chauhan who seems to have his dream come true with this venture are perfectly in sync with the mood and aura of the song of this nature. A real gem of a song!

The next Sheher Main is a peppy and energetic number that will surely find its takers who prefer experimentation over routine stuffs. The song stands tall due to innovative and funky lyrics as well as interesting musical arrangements  and confident vocals from Karthik and Mohit. Surely light and rejuvenating stuff that will surely enlighten your spirits when down.

Hawa Hawa brings back all the old world memories the moment it stats off with an accordion that was associated with many golden melodies of the bygone era. The song is also a reminiscence of 'Beheke Beheke Nain'' from aisha in terms of its musical treatment and is a absolute treat in every department whether lyrics, vocals or music. It is  ably supported by equally mellifluous chorus that brings  the right amount of mischievousness and beauty to the song. Rehman seems to be in full form with this one!

Aur Ho sung in a rather subdued voice by Mohit Chauhan in the beginning takes no time  in hitting the high notes and takes you into a mystical journey of the protagonist with lyrics being top notch like "Ras 'Hasrat Ka Nichod Doon Kas Bahoon Main Aa Tod Doon" simply brilliant and music exuding a sense of agony and helplessness of the  character. But for once the lyricist Irshaad kaamil dares to overshadow the brilliance of Rehmaan with his thought provoking lyrics even the middle like ''Main Dastak Hoon Tu Band Kivadon Sa " which has class written all over it!

As you thought that after such a musical marathon the quality of the album may dip, you encounter Nadaan Parinday which to say is the best song of the year will be an understatement . A.R Rehmaan rarely shows his singing talent but when he does he surely know  how to touch the souls of his avid listeners.Sung with such innocence and purity that your heat just goes out for the protagonist who is yearning to come back to his roots after being at the receiving end of this mean world. Simply breathtaking with again lyrics being brilliant to say the least, take this " Kaagar kaagar
                                          Morhi itni araj tohse
                                         Chun chun khahiyoo maas
                                         Arajiya re khahiyoo na
                                         Do nain mohe
                                         Khahiyoo na do nain mohe
                                         Piya ke milan ki aas" simply speechless!


Tum Ko marks the comeback of powerhouse of talent Kavita Krishnamurthi and what a comeback it turns out to be! The beats of tabla and her soulful voice makes for an enchanting hearing. This is one song that might take time to enter your system but once it does then there's no looking back as it works like a slow poison and has a lasting effect on your musical genes.

The powerful tone of guitar marks the beginning of the instant chartbuster of the album Sada Haq which is sure to keeping the music charts rocking for a very long time indeed!  Mohit Chauhan throws himself in the hands of the composer and renders a most impactful  track of the album. That this song will become a rage among youth is a given but the words "Sada Haq Aithe Rakh" will also find a place in many protests that one may see in near future. Truly an Inspirational track to the core!

The mystical voice of yes again Mohit Chauhaan introduces Tum Ho to you and once again succeeds in touching your romantic side with its sheer simple yet enigmatic and  magical music from the veteran. Surely a befitting finale to the gems that this album is filled with! Credit to the singer as well for taking this song to an altogether different level with his silk like voice!

The album concludes with two instrumentals the first one being Taj To Tango which binds together the accordion and clapping tones beautifully to make it an fulfilling experience. The Second Dichotomy Of Fame brings the magical shehnai to the proceeding after a long hiatus making it a unique venture and is said to be filmed on the late Shammi Kapoor.Worth a listen!

The album concludes with The Meeting Place a 1.13 minute monologue in the voice of Ranbeer Kapoor supported by a musical waterfall from the maestro. But its too short to make any impact.

Rockstar from A.R Rehmaan will certainly stand tall among his previous brilliant works as it surely joins the elite list of Roja,  Dil Se, Taal,  n Saathiyaa and may even topple them in terms of patronage as it has the charm of Roja , the technical depth of dil se,  the style of taal and the soul of saathiyaa. Missing this one will be a musical sin which I am sure the connoisseurs of music would not dare to commit! Worth your every penny! Just grab a copy asap!

Rating : - **** 1/2

Bodygaurd Movie Review

This sunday , as I passed through one of the famous movie theater, my friend not a movie freak obviously, asked in amusement ''whats this mob gathered for? The Anna Hazare storm has long been settled right?" Is there some event going on right now? Before his curiosity  reached its apex I decided to bail him out. No the Que is not for an event but for Salman Khan's Latest commercial juggernaut Bodygaurd. So is the movie worth of all the mayhem that its been creating by beating every record by a margin or will the euphoria settle down once the extended weekend comes to end. Lets analyze.

Like previous Salman ventures Bodyguard is also an amalgamation of action, comedy and  romance and seems to have every ingredient to make it a hattric success for Salman who seems to be going through the best phase of his career.But if the film is on par with wanted as far as action is concerned it lacks the charisma and charm of Dabangg that made the character of Chulbul Pandey iconic. Also the script and narrative style is not as gripping as the other two. However, these hiccups are covered to some extent by the invigorating and soulful chemistry that Salman and Kareena have showcased leaving behind all their previous encounters which had noting to write home about.

The film's first half has its moments here n there with more focus on the lighter  and action sequences.But as said the action vows but comedy seems to be forced and gets repetitive after a certain point of time.  Wish the director had given more footage to the Salman n Kareena's endevours rather focusing on the repetative antics of Rajat Rawail . But the second half of the movie more than makes up for it as it renders the rare soft side of Salman Khan which many directors fail to capture and Kareena's histrionics as an actress. The twists n turns in last 20 minutes do spring a pleasant surprise and may leave you moist eyed.

Technically the film scores in action department and music by Himesh Reshamiya n Pritam(I Love You) is a perfect mix of foottapping and soulful numbers. Special mention for Teri Meri that is a class apart form rest. Direction by Sidiqui impresses in bits n parts as he handles the emotional secnes with aplomb, good in action while leaves a lot to be desired in comic portions of the movie.

Performance wise Salman Khan as Lovely Singh  once again overpowers the weaker parts of the movie with his towering screen presence and is equally convincing in both the action scenes which are his forte and in emotional scenes which is a welcome change. Kareena Kapoor as Divya is the soul of bodygaurd and performs her part with such innocence and charm that seems so effortless and convincing .This has to be her best mainstream performance after Geet in Jab We Met. Rajat Rawail as Tsuanami may bring some laughs to begin with but tends to get ambiguous with his antics which seems to minimize the impact of his charm. Mr Raj Babbar as Kreena's father puts in a sincere and convincing portrayal. Others in supporting cast are there just to fill the numbers.

Bodygaurd is a film worth watching with your family given this festive season but you have to curtail your expectations that may help you enjoy the journey of lovely Singh a tad better.

Rating: *** 1/2

Mausam Music Review

 As the saying in Trade Parlance goes "Behind every succesful eternal love story there is an equally successful musical score", Pakanj Kapoor's directorial debut Mausam which is a love saga spanning across ages is ought to have a sound musical score to instill an emmotional connect with its audience.

With backings of a commercially viable composer Pritam and actor par excellence Pankaj Kapoor donning director's hat nothing less than a quality product would satisfy our musical quest.

The album starts off with a soul stirring Rabba Main Toh Mar Gaya Oye which initiates with its signature flute tone and takes the listeners in the make believe world that only those in true love can identify with.This is a song that can easily find an entry in any of Yash Raj's love stories, remember Tujhme Rab Dikhta hai, due to its timeless charm and melody. Lyrics by Irshad Kamil deserves a special mention here, as they are the perfect amalgamation of simplicity and astuteness..The sugar filled vocals of Shahid Mallaya takes this compositon to an altogether different level.Certainly a chart-buster that is not subject to repeated hearings.The song appears again with a reprise version in the voice of Rahat Fateh Ali Khan who adds another dimension to it with his experience and expertise.

Next, Sajh Dhaj Ke sung by Mika is your run of the mill fast paced track that may find patronage among the youth vying for Shahid's dance moves but has nothing new to offer except the raunchy lyrics and energetic dhol beats that elevate  it to some extent. Seems the song was designed to enhance the universal reach of the album as such songs usually become rage among masses.Not a worth follow up to classic Rabba.

The album regains its class with whimsical vocals of Hansraj Hans in Ik Tu Hi Tu Hi which begins with a heart wrenching aallap and keeps in you grip with its delirious melody and lyrics. The fact that Hansraj Hans is seldom heard, gives this song  a invigorated demeanor. Certainly a food for soul kind of music which depicts the state of protagonist's longing for love quiet efficiently. .The song has another version crooned by Wadali Brothers in their prevalent qawali style but fails to match the rawness of its original.

The fourth track, Poore Se Zara Sa Kum Hain by Ustaad Raashid Khan a semi-classical number  is  absolutely enthralling for the connoisseurs of  music and sung with so much passion and class that makes you sit up and admire the talent of both the singer as well as the composer. The track would definitely go down as one of the most accomplished works of pritams's career. Highly Recommended.

Then comes Aaag Lage Us Aag Ko , a track seems to take its bearings from  Manmohini from Hom Dil De Chuke Sanam is a energetic folk piece giving rustic feel ably supported by high octane drums. Being more of a situational number, will have limited appeal and may not generate much heat at the countdowns like other songs of the album.

Last in the stock Mallo Mali  a complete opposite to its predecessor is an instant chart-buster with a pritam's stamp engraved all over it. Sung  brilliantly by Tochi Rana of Siabo fame , the song is a dancers delight and set to rule the pubs once the movie hits the marquee as it is enriched with techno beats which are  testimony of the pub culture..Definitely a rollicking finale to the album!

Mausam has to be Pritam's most versatile if not best work till date and will certainly be a milestone in his already illustrious musical journey. Its good to be churning out successful and massy album like Ready, De Dana Dan to name a few but no harm in producing gems like Mausam once in a blue moon because if the former assure you success the later is a food for your creative buds! Looking forward for more such work from you in future.Certainly an album for all Mausams! Grab your copies asap!

Rating:- ****1/2

Aarakshan Movie Review.

After the colossal success of  his previous venture Rajneeti, Prakash Jha makes a comeback with his latest social-political magnum opus Aarakshan(Reservation) to woo the cinema lovers this weekend. Some movies are meant for entertainment while some  act as source of enlarging your knowledge base and this movie like many other Prakash Jha's works is a testimony of the second category as it throws light on the quirky topic of Aarakshan. The demon may be familiar to some but is still naive for major section of people especially the masses.But on the flip side, the movie seems to be a half baked attempt on the topic as focus shifts to how education system today is reeling under the political influence and is seen as a medium of making money like any other business in the second half of the movie..So the result is a riveting and  intriguing first half while a rather subdued and filmy second half which drags to the limit of testing one's patience. But somehow this flaw is overpowered by the earnest performance from Mr. Amitabh Bacchan the pillar on which this flick gets its foundation.

The movie apart from tackling the Arakshan issue , is basically a story of Amitabh Bacchan a college dean and the people his world surrounds with on both personal and professional front and the hardships they have to face because of this issue.But the film suddendly takes U turn in its second part focusing more on the aspect of commercialization of education in today's scenario depicting clash between two coaching institutes taking much of its zing and novelty.

Technically the film's background score is among one of its aces. Cinematography provides it the required grandeur and scale. Music by Shankar-Ehsaan-Loy is strictly average to say the least as the need of a potential chart buster is sorely felt.Lyrics by Prasoon Joshi are eloquent as per the situations
in the movie. Prakash Jha has handled this subject with a certain poise and dignity which was expected from the director of such stature.The fact that movie never takes any side to convey its point is his biggest triumph. Dialogues provide the apt dramatic element to the proceedings.

Coming to performances, Saif Khan pitches a fiery and earnest portrayal of dalit in the first half but somehow his role lacks the meat in second half where he is mostly relegated to the background due to  Mr Bacchan onslaught. Deepika Padukone  performs  her part with utmost sincerity and her scenes with Mr Bacchan exudes warmth. Manoj Bajpai excels in some scenes while less convincing in others. The fault lies in his characterization  which seems to be a caricature of old formula movie villains.
Pratiek Babbar surprisingly delivers a rather weak and inconsistent performance as his expressions fell flat in many dramatic sequences.But one man on whose shoulders this movie rests, Mr Amitabh Bacchan gives an awe inspiring portrayal  of a idealistic college dean trapped under the vicious circle of Aarakshan. His dailogue delivery, mannerisms and expressions are a treat to watch. His quest to perform any role to perfection even at this age certainly proves to be an eye opener for many current crop of actors as well as budding aspirants.  


The movie, though may be deviating from its roots through mid half, certainly deserves to be seen for its refreshing take on the issue, skillful direction and towering performance of Mr Bacchan.
Socially relevant movies are seldom found in bollywood and if its presented with a slice of commercial
elements wooven in between then its certainly makes for a compelling watch. Recomended to reserve your seats for Mr Bachhan!

Rating : ***1/2

Top 10 Songs for August 2011

10. Jalebi Bai-Double Dhamaal


  9. Go Meera Go-Bbuddha Hoga Tera Baap


  8. Saathiya- Singham


  7.Character Dheela-Ready


  6. Teri-Meri-Bodygaurd


  5. Bhag D.k - Delhi Belly


  4. Aye Khuda- Murder 2


  3. Dhunki- Mere Brother Ki Dulhan


  2. Rabba- Mausam


  1. Senorita- Zindagi Na Milegi Dobara

Zindagi Na Milegi Dobara Movie Review

Remember any film in recent times that  had a perfect amalgamation of commercial as well as art-house cinema woven so craft fully into one ? Well, Zoya Aktar's second outing Zindagi Na Milegi Dobara  serves as the ambassador for bridging the gap between two mediums of cinema that are poles apart and this is what makes this film a unique experience altogether .ZNMD had to shed the baggage of Dil Chahata Hai as comparisons were being made since its first promo caught the viewers' attention and thankfully it does succeeds in doing so as the two films may be similar thematically but are as different as chalk n cheese in terms of characterizations of the protagonists and storytelling.

The story is basically about three friends Arjun, Imran and Kabir who head for their long pending road trip and how this trip serves as a medium of self realization, strengthening of relationships and overcoming of fears, forms the crux of this skillfully executed film. Each of the above three characters though looking simple from the outset is multilayer-ed with either some past grudges or dilemma attached to them. How they sort out their midlife crisis during the course of this life changing journey makes this film an intriguing venture.

For a film on male bonding , the camaraderie between its  protagonists is the driving force in making it a success and ZNMD excels in this department as the chemistry showcased by Hrithik, Farhan and Abhay is so believable and realistic that you resonate them as friends for real rather than friends for reel and this is the biggest triumph of this movie..

Although the movie is a cinematic treat in totality but the scenes that make it a repeat watch are:-
- The first interaction scene of the trio where they decide the trip schedule gives a slight insight into their characters.
- The altercation between Hrithik and Farhan after the phone incident throwing light on their their sour relationship escalates beautifully between the realms of humour and drama.
- The scene where Hrithik comes out of the sea putting aside all his in-habitations  and past burdens for a carefree life  ahead is surely a stuff what classics are made off!
- The pranks played by the trio on strangers is sure to bring the house down .
- The scenes where the trio play games to find out each others problem is thoroughly enjoyable and exudes warmth..
-   Scene where Katrina tells Hrithik to enjoy life and live for the moment rather than thinking about future act as an eye opener.
- The scenes where Farhan addresses the bag as Bagwati deserves a special mention.
- The online interactions between Abhay and Kalki  bring smile to your faces.
- The scene where the trio get drunk and make fun of doordarshan is a delight to watch.
- Farahan's interaction with his biological father Naseerudin Shah is sure to bring a lump to your throat.
- The climax where the three musketeers make a pact about overcoming their fears is simply magical and inspiring.

Technically also the film is on par with any international movie with cinematography and background score being topnotch. The films captures Spain in all its glory and enigma and will serve as a perfect tool of boosting  Spain tourism. Dialogues by Farhan Akthar are a refreshing change from what we are used to see in recent movies and are more closer to reality. Poetry by Jaaved Akthar is a sheer delight and provides depth to each character .Music by Shankar Ehsaan Loy should easily rank among their best works with Ik Junoon and Senorita being outright chartbusters.But it is Zoya Akthar's direction skills and crisp screenplay that provides it the magical touch and makes this film a cut above the rest. Making a road movie is not an easy thing and Zoya Akthar deserves an honorary mention for that!

Performances in this film are ones to be treasured for life. All  the characters seemed to be tailor made for their roles.Hrithik Roshan as Arjun shows a rare sight of his acting talent which is far from the larger than life characters he is used to play. The transformation from a money minded snob to a carefree guy is so smooth and believable that it would go down as one of his most nuanced and effortless performance having command over both dramatic and comic sequences..Take a bow Mr Roshan,you are as convincing as a common man as you were as a superhero which speaks volumes of your acting capabilities.  

Farhan  Akthar as Imran is a complete revelation and brings the maximum laughs with his impeccable comic timing  and husky dialogue delivery. As a guy who may seems to be very happy go lucky and a flirt from outside but deep routed  inside, Farhan is quite natural and  sure to increase his fan following after this movie. .

Abhay Doel as Kabir pitches in one of his most restrained performance and is a perfect anchor of the group providing the much required calmness and stability to the interactions.The dilemma of a confused bachelor has been perfectly showcased by him with a rare subtlety.

Katrina Kaif for once has been completely sync with her character and portrays cheerful and full of life Laila with utmost conviction. Kalki Kochien as nagging and possessive fiance does full justice to her role. Naseerudin Shah leaves his mark in a impressive cameo.Rest of the cast provies able support.

Some movies  are meant to be enjoyed till they last while some are meant to be cherished for lifetime and Zindagi Na Milegi Dobara belongs to the second catagory. Watch it for the mesmerizing performances, foot tapping music,fresh storyline, skillful direction and above all the message it conveys without ever preaching once that life is ment to be enjoyed and lived sans any fears. Missing this would be a crime as such films come once in a blue moon.Without a shadow of doubt the best film this year. Highly Recommended!


Rating:- ****1/2

Murder 2 Movie Review

Its yet another Friday and yet another sequel strikes the silver screen with weight of expectations lingering over it. This time its Bhatt Camp's Murder 2 the sequel to their earlier venture Murder which turned out to be a sleeper hit when it released. Mohit Suri has taken the reins from Anurag Basu which forces us to keep our expectations in check seeing what he had done to Raaz franchise in Raaz 2 that was not even a patch on its prequel. So is the result akin to his previous attempt or has Mohit Suri regained his touch glimpses of which were visible in his debut Kalyug? Lets find out!

The movie only takes the name from its prequel  without taking any character forward as it deals with the serious issue of serial killings which has hardly been explored before in bollywood. It is an edge of a seat chase between cops and the killer whose victims are mainly prostitutes. The film though boast of being a thriller lacks the shock value that is affiliated with such flicks but is somewhat saved by the high emotional quotient that is woven to make the audience connect with the protagonists.The fact that the plot of serial killing is still new to bollywood  works in its favor.

The sequences that leave the maximum impact on its viewers are:-
- The intoduction scene of Prashant Narayan and his interaction with Sulagana
- The scene when Emran Hashmi catches Prashant followed by a chase sequence.
-Interrogation scene between Prashant and the psychiatrist  is mesmerizing to say the least.
- Scene where Emran realizes that he landed Sulagana in trouble and feels guilty.
- The finale where Emran rescues Jacqueline.

Technically also the film scores brawny points with cinematography capturing the beauty of goa supported by some unique camera angles adding the required spine to the movie. Background music is topnotch which takes the horror element to another level. Music surprisingly is a mixed bag with only Haal-e-dil and Phir Mohobbat being chartbuster material while others failing to leave the desire impact.
Direction by Mohit Suri is tight and is ably supported by  crisp editing and engrossing  screenplay.

Performances are a delight to watch and keep the viewers glued to the proceedings.Emraan Hashmi once again excels in a dark role that has now become his forte.The guilt on his face on knowing he has been responsible for victimizing Sulagana has been efficiently portrayed by him adding depth to his character.
Jacqueline Fernandes raises the film's sexual quotient adding to the oomph factor and shares a crackling chemistry with Emraan.She takes the sensuousness  one notch higher when compared to Millika Sherawat in prequel.  But the role does not demand any histrionics from her. Sulagana makes a confident debut showing the crisis of family pressures with utmost conviction and sincerity.But the real scene stealer turns out to be Prashant Narayan who pitches in one of the most fiery and riveting portrayal of a psychopath to have embrace the marquee. The screen just lits up whenever he appears  and makes even the routine scenes worth watching due to his sheer charismatic acting. Its disheartening to see such talent being underutilized in bollywood and this film will act as a wake up call for others and make them notice his humungous talent.Others lend able support in their respective roles.

Murder 2 is indeed a worthy sequel and deserves to be seen for its unique story, tight script and refreshing performances of Emraan and Prashant Narayan . Though not a perfect movie but packs enough punch to keep the viewers engaged  as it blends eroticism and chill in a manner which is rarely seen in bollywood and the director needs to be applauded for that! Watch it if such movies are your cup of tea, you wont regret your decision!


Rating:- ***

Delhi Belly Movie Review

Coming from  Aamir Khan Productions a banner that has its own market value and trust circle among its patrons, Delhi Belly is yet another hatke endeavor in the truest sense. Its pole apart from Aamir's earlier works and does have a shock value up its sleeve that might not be everyone's cup of tea! The biggest strength of the movie is the use of language that is sure to leave the Gen-x in frenzy.Also film being only 90 minutes  works wonders for films with such themes.

So is Delhi Belly another master-piece from the ace khan ? I am afraid its not but it could have been if the movie didn't rested on the wafer thin plot and was able to bring some novelty in its story as it offers nothing new to its viewers and that is the biggest drawback of this otherwise skillfully presented movie.

The movie is basically about the a gang of smugglers running behind our protagonists in search of their package which gets replaced by mistake. How the three Imran, Vir Das and Kunal Kapoor escape from these thugs and resolve this confusion forms the crux of the story.The story is not refreshing enough and boast of certain cinematic liberties.But these blemishes are to some extent overpowered by witty dialogues,tight screenplay and able direction.

The scenes that forms the highpoint of the film and are sure to arouse laughter are:
- The stomach endeavors of  Kunal Kapoor where he uses orange juice instead of water in the loo is sure to bring the house down.
-The interchange of the package with Kunal's stool and Vijay Raj's expression on that were hilarious .
- Vijay Raj interrogating the three for package.
- Vir Das's burkha scene at the jewellery shop where they take the package back.
- Amir's item song at the end credits that work as a value addition.

Technically the film was average with cinematography failing to capture the beauty of the city.Music by Ram Sampath deserves browny points for its sheer novelty and innovation. Screenplay and dialouges are real hero of this movie. Direction by Abhinay Deo is top notch and works wonders for a weak story.

Performance from the cast is good and all are in sync with their characters. Imran Khan was efficient in shedding his chocolate boy image and played his part with sincerity. Vir Das showed good comic timing and was an apt choice for this part. But its is Kunal Kapoor that surprisingly turns out to be a scene stealer and walks away with maximum claps and applauds thanks to his stomach disorders.Performance from the female leads Shenaaz and Poorna Jagganath are also good and provide able support to the male brigade. Vijay Raaz as gangster is a delight to watch as he usually excels in such roles.

Aamir Khan should be appreciated for walking a path that no other producer would have dared to and going all out in support of the product he believes in and giving it an excellent platform to show its histrionics.Can you remember any film that had such cuss words and still be passed by censor without any cuts!? Can you name any film that was showcased without intervention? The answer is no and kudos to Aamir for that!

So yes, Delhi Belly is different in terms of use of language, music, dialogues  and cinematic execution .
But is it right to term it as a new age cinema? I would say no  as it  is been there done that kind and  deprived of  originality.  As far as new age cinema is concerned give me a Udaan or a Dil chahata Hai over Delhi Belly any day!

Rating-: ***

Small Gems That Struck Big!

What is one thing that strikes one’s mind the moment he/she thinks of cinema? The big canvas, lavish sets, reigning superstars, extravagant costumes and many other similar movie assets. Right! But cinema in recent times has gone under a drastic change with many small budget movies making their mark both critically and commercially. These may lack the grandeur and ambiance but are richer in content and script sense which the big budget flicks seem to have lost amidst all glitterati! The limited cost of production in these films make them commercially viable thus reducing the radar of producer’s risk.

 Now people mainly the classes ,have understood the fact that content is  king and they can no more be fooled by those ever so luring potboilers that defy logic. The success of such films should be credited to the multiplex era that has infused life in them and given them a platform to showcase their histrionics.

So let’s take a look at such films that gave shallow magnum opuses a run for their money by carving a niche for themselves and many other similar flicks that would grace the silver screen in coming years.

Bheja Fry

This film can rightly be termed as pioneer of such films as it was a first movie to break the barriers of bollywood monotony and gave Vinay Pathak a new lease of life . It was a welcome change from the slapstick  n crass humor that audience was forced to see due to dearth of good comedies. The movie sans any superstar managed to  struck a chord with its viewers and was the surprise hit of the year . The amount of profit this flick gave its makers prompted them to go ahead with its sequel. Thus this film will be remembered for its rare success and as a stepping stone for others to follow.

Khosla Ka Ghosla

The film about the helplessness of a middle class family against the cunning and money minded builder also grabbed eyeballs for its realistic and simple approach. The movie was a perfect example of a situational comedy and never went overboard in its treatment. It may have not raked the same moolah as Bheja Fry but was not behind in terms of extracting respect and received a cult status once released on vcd/dvds. Certainly a film to cherish with your entire family which is a rare feat in today’s sinareo. So kudos to Dibaker Bannerjee for that!

Band Baja Baraat

Though  it had got the backing of Yashraj Banner, the movie was poles apart in terms of story telling and cinematic treatment when compared to their earlier works. Can you remember any Yashraj flick where protagonists preferred career over love? The friendship between them not confused with love? Well that’s the beauty of this small budget flick that served as launching pad for Ranveer Singh with Yashraj’s new found muse Anushka Sharma. The film will be remembered for its toungue in cheek dialogues and Yashraj’s courage for deviating from their path of churning star oriented read Srk flicks. Way to go!

Do Dooni Chaar

Directed by Habib Faizal , the movie depicted the day to day encounters of a middle class family with utmost realism and precision that people actually felt themselves being part of their journey. Touted as a comeback vehicle of Neetu Singh and Rishi kapoor Jodi, the film won heats for its tight screenplay, witty dialogues and riveting performances. The film winning the National Award is the testimony of the sheer entertainment it provided on silver screen. Its success though a small, rekindled the faith that such movies are here to stay.

Taare Zameen Par

Coming from Aamir Khan Productions the film garnered immense appreciation for its approach of handling a complex story of dyslexic child with rare perfection and sincerity. The story touched the hearts of millions leaving them moist eyed and in awe of the child’s plight against this ruthless and competitive society. This movie despite having a child as its lead protagonist achieved a blockbuster status which is a kind of miracle these days. The credit for this goes to the man with a Midas touch Mr. Aamir Khan for having the audacity to go ahead with such a movie.

The main reason for the success of above films is that they were able to connect with the audience making them part of their proceedings which the big budget candy floss movies failed to achieve. They provided them sense of belongingness and gave them real account of themselves without being unnecessary over the top or extravagant in their treatment. This way the audience never felt cheated as they were delivered exactly what was promised in the promos which sadly not the case in most of the big budget flicks. The resounding success of these movie should pave way for more such movies as cinema is not only about providing enjoyment to viewers but also giving them something worth learning and keeping them closer to reality.

Top Ten Songs For July 2011

10. Saathiya- Singham













9. Go Meera Go- Bbuddah hoga tera baap

8. Switty Switty- Delhi Belly

7. Tai Tai Phish- Chillar Party

6. Haal-e-Dil- Murder 2

5. Jalebi Bai- Double Dhamaal

4. Sooraj Ki Baahon Mein- ZNMD

3. Bhag Dk Bose- Delhi Belly

2. Phir Mohabbat- Murder 2

1. Ik Junoon- ZNMD

Performances To Cherrish For Lifetime!

Bollywood has seen the rise and fall of many superstars and is privileged enough to seen some  spellbounding portrayals from lead protaignists which have taken acting to another level and served

as a yardstick for many new aspirants to look up to for inspiration as well as motivation! What makes these performances a cut above rest is the sheer brilliance and charismatic persona adopted by the performer giving the role an altogether a new dimension. Such performances come once in a blue moon and needs to be preserved for future refrences as their life is not limited to only those 3 hours spent in the theatre but linger in our memories even till today and cannot be monotized since they  are far from the clutches of money minded box-office  collections. Lets once again take a journey through these jewels of bollywood which has given it wings to compete with international standards

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Amitaabh Bacchan  in Black

Though, Rani Mukherjee being the main protaignist expected to take the limelight, was completely overpowerd by Mr Bacchan’s  antics as a teacher who while connecting with his disciple also struck a chord with the audiences who were left speechless after the movie ended. This performance of Amitabh Bacchan  has all the merits of being compared at the international level and can be termed as a milestone in his already legendry bollywood innings. The respect for Mr Bacchan as an actor increased manifolds with this act thus giving the generation x the glimpses of his sheer brilliance.

Aamir Khan in Lagaan

Aamir Khan’s portrayal of Bhuvan in Lagaan was not only the hallmark of authenticity and realism but also go down as the most versatile performance in Aamir’s repository. The plight of a farmer and the hatred against britishers was effortlessly portrayed by Aamir. The costumes, dialects and the mannerisms indicate that he had gone under the skin of the character to bring such perfection.  It would be an understatement to say that Aamir was the soul of Lagaan and forced the audience to forget the length of the movie and join his triumph against britishers. So kudos to Aamir for that!

Hrithik Roshan in Koi Mil Gaya

If there is one performance of a mentally challenged person that can give other such performances a run for their money ,then its definatley Hrithik as Rohit Mehra in Koi Mil Gaya! The manner in which he transformed himself not only physically i.e the style of walking, hand movements, voice modulations but mentally as well can put any other senior actor to shame. The fact that he bounced back after being written off through this performance makes it even more endearing. The way he emoted showing joy when appreciated and  pain when bullied cannot be matched by any other actor of his generation. The audience smiled when he smiled and cried when he cried which is a biggest reward for any performance. This performance of Hrithik has raised the bar of acting in bollywood  and forced the trade pundits to think twice before writing him off again!

Shahrukh Khan in Swades

Remember the last time Shahrukh was not Shahrukh but the character he portrayed! Well for that you have to jog down your memories to Mohan Bhargav of Swades  which showcased the real talent of SRK which somehow he has lost amidst his ever-growing stardom. This is one performance where the harshest of critic will not be able find any flows in the portrayal as such was the precision with which it was enacted. This would be remembered as one of the most restrained performance of Shahrukh’s star-studded career.

Sanjay Dutt in Vaastav

If you get your first bollywood award after 17 rigorous years then it must be a performance to rave about. Sanjay Dutt’s act in Vaastav was the testimony of that. His complete transformation from a innocent middle class man to a ruthless gangster was simply applaoudworthy. He has played such roles after that but none could match the rawness and realisticness that he portrayed as Raghu. The finale where he asks his mother to free him from this world was enacted with a rare sincerity from Sanju Baba!

Ajay Devgan in Legend of Bhagat Singh

We have experienced various portrayals of freedom fighters from bollywood but the one that was a class apart was Ajay Devgan in Legend of Bhagat Singh which unlike other portrayals of similar nature was not preachy and never went overboard. The passion and aggression was all convyed through Ajay’s expressive eyes which is trademark of any competent actor. This performance made the world notice that there is a more to Ajay Devgan in terms of acting than doing only action oriented roles. There were as many as four films on Bhagat Singh but its only due to Ajay’s histrionics that  this one is remembered even today!

Dilip Kumaar in Mughl-e-Azam

Who can forget Mr Dilip Kumar’s revolutionary act of mughal prince Saleem who against his father’s will fell in love with Anar Kali portrayed by Madhubala. The romance and passion that he exudes through his eyes is yet be seen on the silver screen after his departure. THE gen-x are privelled enough to see his legendry act through the colured version of the movie. His act was the perfect amalgamation of softness of a lover and the toughness of a warrior. Truly a performance to treasure for generations to follow!

I would consider myself fortunate enough to encounter such gems in my lifetime.  These would remain in my memories and surely in the memories of millions who recognize talent and prefer quality over quantity as these performances are the 7 wonders of bollywood akin to 7 wonders of the world!

Singham Music Review

Bollywood's propensity for south remakes continues with Rohit Shetty's latest action venture Singham with his unwavering affiliation with Ajay Devgun as lead. Expectations are kept in check as the flick is mainly action oriented thus leaving miniscule scope for music to make any impingement. But the album does spring a surprise with reasonabally hummable tunes which one hardly assosiates with such ventures
Credit goes to debutant music composers Ajay-Atul for breaking such monotony.

Album starts on a roaring note with the title track Singham .which is akin to the dabangg tiitle track in terms of its music arrangements and attitude. The beat of drum and dhols in background provide it the required  grandeur and succeeds in leaving a powerful impact on listeners.Vocals by Sukhwinder enhance the beauty of the song by lending the rustic flavor to the proceedings. Certainly a song that a single screen patron would vouch for!

Second track Saathiya sung mellifluously by Shreya Goshal with able support from Ajay Gogavale is poles apart from the first track, thus lending some versatality to the album. The song is easy on ears and will find patronage after two-three hearings.The song acts as a slow poison which might take time to enthrall your senses but once it does its difficult to dethrone from your system.

Next in line is the last track yes! the last original track , Maula Maula sung by Kunal Gaanjawala and Richa Sharma  is a sufi number which gives a feeling of deja-vu  due to its run of the mill music treatment which gives the vibes of songs composed by Salim -Sulaiman earlier. The song is somehow saved by the skillful singing of the duo and might appeal once the movie hits the marque.

Apart from the above three original tracks, there is a remix version for each which work as a value addition and thus provide some length to this surprisingly short musical stint, so listeners get some value for their money spent.

The music of Singham seems to be true to its name and is a commendable debut from the musical duo Ajay-Atul who have music of some hit marathi movies in their repository.This makes us look forward to their new venture the remake of Agneepath in which I have a feeling they will show their true colors leaving beside any in-habitations that most of the debutantes have to confront with in their respective debut ventures.

Picks:- Singham, Saathiya

Rating:- ***